The 75th edition of the legendary Côte d’Azur film event is kicking off, opening the dance with the film “Coupez!”. And with a red carpet full of eccentric ideas and bright colors. But also of a lot of elegance.
Finally, the 75th edition of the Cannes Film Festival is underway. The starting line of the festival that every year brings the most beautiful names of international cinema to the Côte d’Azur is officially cut, kicking off a 12 days full of screenings, stars, parties, parties, red carpets, events of various kinds and nature and probably also of scandals and controversies. But, above all and certainly, of clothes, clothes and more clothes.
We will see hundreds of them parading on the red carpet of the Montée des Marches of the Festival, and we will be here ready to look at them one by one, to scrutinize them in the smallest details, to evaluate their colors, volumes, combinations with accessories … and to churn out our inevitable and unquestionable ones ( so to speak, syndicates as well) votes.
The opening of the Festival is entrusted to the screening of the film “Coupez!”, an ironic parody of zombie movies that sees the cast of an always splendid Bérénice Bejo excel. But the star of this first red carpet is undoubtedly Julianne Moore, enchanting in her solemn and ancient beauty, embellished on this occasion by a black dress designed by Bottega Veneta (and by emeralds as big as nuts by Bulgari). Also in black, but definitely more hot and sexy, here is Eva Longoria – who pulls out of the drawer a 90s chocker that she does not fully convince us). The colors of Italy are excellently defended by Margherita Buy – in Cannes to accompany Marco Bellocchio’s film Exterior night – but also by Bebe Vio, by the juror Jasmine Trinca – who gives lessons in a jacket thrown nonchalantly over the shoulders – and by a Valeria Golino in a state of grace, all thanks to his Dior in an intense shade of peacock blue.
But these are not the only emotions that this red carpet that is particularly generous with colors, meters and meters of tulle and daring excesses of fantasy has given us.
Author: Michael Zippo
https://linkedin.com/in/michael-zippo-9136441b1
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Sources: VanityFair, IO Donna
Written by Michael Zippo
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