Long dress with slit: 3 hyper sensual looks to copy from Ana De Armas

Long dress, legs exposed. The red carpet outfits of one of the most promising Hollywood stars, more and more fashion icon.

Among the most promising divas in Hollywood right now is 34-year-old Ana De Armas. She starred in the film "Blonde" about Marilyn Monroe and "The gray man" with Ryan Gosling, she is now a regular on international red carpets. She is simply unattainable in the subtle art of wearing a long dress with a slit.

See also: The Gray Man’ lets Ryan Gosling have a little fun

Ana De Armas, queen of the long dress with the slit

Deep neckline for her rhymes with vertiginous slit. The Cuban-born actress with a petite figure (she is 1.68 meters tall) is not afraid to dare. For the premiere of the film "No time to die" she chooses the dress from the Resort 2022 collection by Louis Vuitton.

Ana De Armas

Read more: Jennifer Lopez and Ben Affleck’s first birthday as a wife

The perturbing long dress in impalpable and iridescent black velvet, with the bold touch of the jewel shoulder straps in silver chain, is completed with the black strappy sandals also customized by Louis Vuitton and the minimal but sparkling rings by Chopard.

Versace red

Ana De Armas

To get noticed on the red carpet crowded with stars, you can't miss the red dress. For the evening event of Campari Diaries, the protagonist of “Deep waters” and “Dinner with crime” wears a look from the Versace Resort 2019 collection studded with ton sur ton beads. Silver shades in tandem for the pendant earrings and for the disco-chic sandals covered with rhinestones by Jimmy Choo.

The floral evening dress

Ana De Armas

With her timeless divine charm, the star has a fondness for evening floral dresses such as the flowing, flowing fabric she wore at the première of “Knock knock”.

The American model has a deep V-neckline and a skirt with a very high waistline, which falls in a cloud of extra-long transparent chiffon with a train effect. The gap is there but, like the great divas of yesteryear, it focuses everything on the refined sensuality of I see and I don't see.

Read more about the Venice exhibition.

Author: Michael Zippo
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